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A Procession at Candlemas

Amy Clampitt
A Procession at Candlemas1
1
Moving on or going back to where you came from,
bad news is what you mainly travel with:
a breakup or a breakdown, someone running off

or walking out, called up or called home:
death in the family. Nudged from their stanchions
outside the terminal, anonymous of purpose

as a flock of birds, the bison of the highway
funnel westward onto Route 80, mirroring
an entity that cannot look into itself and know

what makes it what it is. Sooner or later
every trek becomes a funeral procession.
The mother curtained in Intensive Care —

a scene the mind leaves blank, fleeing instead
toward scenes of transhumance2, the belled sheep
moving up the Pyrenees, red-tassled pack llamas

footing velvet-green precipices, the Kurdish
women, jingling with bangles, gorgeous
on their rug-piled mounts — already lying dead,

bereavement altering the moving lights
to a processional, a feast of Candlemas.
Change as child-bearing, birth as a kind

of shucking off: out of what begain
as a Mosaic3 insult — such a loathing
of the common origin, even a virgin,

having given birth, needs purifying —
to carry fire as though it were a flower,
the terror and the loveliness entrusted

into naked hands, supposing God might have,
might actually need a mother: people have
at times found this a way of being happy.

A Candlemas of moving lights along Route 80;
lighted candles in a corridor from Arlington4
over the Potomac, for every carried flame

the name of a dead soldier: an element
fragile as ego, frightening as parturition,
necessary and intractable as dreaming.

The lapped, wheelborne integument, layer
within layer, at the core a dream of
something precious, ripped: Where are we?

The sleepers groan, stir, rewrap themselves
about the self's imponderable substance,
or clamber down, numb-footed, half in a drowse

of freezing dark, through a Stonehenge
of fuel pumps, the bison hulks slantwise
beside them, drinking. What is real except

what's fabricated? The jellies glitter
cream-capped in the cafeteria showcase;
gumball globes, Life Savers cinctured

in parcel gilt, plop from their housings
perfect, like miracles. Comb, nail clipper,
lip rouge, mirrors and emollients embody,

niched into the washroom wall case,
the pristine seductiveness of money.
Absently, without inhabitants, this

nowhere oasis wears the place name
of Indian Meadows. The westward-trekking
transhumance, once only, of a people who,

in losing everything they had, lost even
the names they went by, stumbling past
like caribou, perhaps camped here. Who

can assign a trade-in value to that sorrow?
The monk in sheepskin over tucked-up saffron
intoning to a drum becomes the metronome

of one more straggle up Pennsylvania Avenue
in falling snow, a whirl of tenderly
remorseless corpuscles, street gangs

amok among magnolias' pregnant wands,
a stillness at the heart of so much whirling:
beyond the torn integument of childbirth,

sometimes, wrapped like a papoose into a grief
not merely of the ego, you rediscover almost
the rest-in-peace of the placental coracle.



2

Of what the dead were, living, one knows
so little as barely to recognize
the fabric of the backward-ramifying

antecedents, half-noted presences
in darkened rooms: the old, the feared,
the hallowed. Never the same river

drowns the unalterable doorsill. An effigy
in olive wood or pear wood, dank
with the seat of age, walled in the dark

at Brauron, Argos, Samos6: even the unwed
Athene7, who had no mother, born — it's declared —
of some man's brain like every other pure idea,

had her own wizened cult object, kept
out of sight like the incontinent whimperer
in the backstairs bedroom, where no child

ever goes — to whom, year after year,
the fair linen of the sacred peplos8
was brought in ceremonial procession —

flutes and stringed instruments, wildflower-
hung cattle, nubile Athenian girls, young men
praised for the beauty of their bodies. Who

can unpeel the layers of that seasonal
returning to the dark where memory fails,
as birds re-enter the ancestral flyway?

Daylight, snow falling, knotting of gears:
Chicago. Soot, the rotting backsides
of tenements, grimed trollshapes of ice

underneath the bridges, the tunnel heaving
like a birth canal. Disgorged, the infant
howling in the restroom; steam-table cereal,

pale coffee; wall-eyed TV receivers, armchairs
of molded plastic: the squalor of the day
resumed, the orphaned litter taken up again

unloved, the spawn of botched intentions,
grief a mere hardening of the gut,
a set piece of what can't be avoided:

parents by the tens of thousands living
unthanked, unpaid but in the sour coin
of resentment. Midmorning gray as zinc

along Route 80, corn-stubble quilting
the underside of snowdrifts, the cadaverous
belvedere of windmills, the sullen stare

of feedlot cattle; black creeks puncturing
white terrain, the frozen bottomland
a mush of willow tops; dragnetted in ice,

the Mississippi. Westward toward the dark,
the undertown of scenes come back to, fright
riddling the structures of interior history:

Where is it? Where, in the shucked-off
bundle, the hampered obscurity that has been
for centuries the mumbling lot of women,

did the thread of fire, too frail
ever to discover what it meant, to risk
even the taking of a shape, relinquish

the seed of possibility, unguessed-at
as a dream of something precious? Memory,
that exquisite blunderer, stumbling

like a migrant bird that finds the flyway
it hardly knew it knew except by instinct,
down the long-unentered nave of childhood,

late on a midwinter afternoon, alone
among the snow-hung hollows of the windbreak
on the far side of the orchard, encounters

sheltering among the evergreens, a small
stilled bird, its cap of clear yellow
slit by a thread of scarlet — the untouched

nucleus of fire, the lost connection
hallowing the wizened effigy, the mother
curtained in Intensive Care: a Candlemas

of moving lights along Route 80, at nightfall,
in falling snow, the stillness and the sorrow
of things moving back to where they came from.


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Footnotes from Helen Vendler's anthology Poems, Poets, Poetry

1Candlemas - February 2. Observed as a church festival in commemoration of the presentation of Christ in the temple and the purification of the Virgin Mary after childbirth.

2transhumance - transport of flocks

3Mosaic - of or related to Moses or the institutions or writings attributed to him; here, the Mosaic law that forty days after childbirth a woman must present herself at the temple for ritual purification.

4Arlington - Arlington National Cemetery

5parturition - giving birth

6Brauron, Argos, Samons - Brauron was a site known from ancient times for the worship of Artemis. Hera was worshipped at Argos. Samos is an island in the Aegean Sea.

7Athene - Athena emerged, fully armed, from the head of her father, Zeus.

8peplos - a linen shawl, cult symbol of Athena; object of the Panathenaic procession in ancient Athens, represented on the Parthenon.

January 1, 2000 in Poems | Permalink